# The Island Exchange — Image Pack Addendum
## Octopus Site heritage layer

*May 2026 — supplements the main Image Generation Prompt Pack*

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## Why this addendum exists

The Island Exchange will sit on what locals call the Octopus Site — the former Half Moon Hotel and Octopus restaurant location on the seafront at La Valette. A community feedback report on the site's sale revealed deep emotional attachment to its history and strong public expectations about its future use.

The main image pack already addresses most of the public mood (multigenerational mixing, youth zone, repair café, affordability, the Half Moon café naming). This addendum fills the remaining gaps: **site-specific heritage memory, the Octopus identity layer, the affordable-takeaway promise, and the "wet Tuesday in February" everyday-usefulness test**.

These prompts use the same universal style anchors and negative prompt as the main pack. They are numbered 21 onwards to slot in cleanly.

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## Language to absorb into the wider project narrative

When writing IM copy, website text, social posts or pitch material, these phrases from the Octopus feedback report carry real weight in St Peter Port. Use them where natural:

- *"The view will be shared, not captured."*
- *"A sea-facing social house for St Peter Port."*
- *"Honour the past without being trapped by it."*
- *"Built around the view. Open to everyone."*
- *"From morning coffee to sunset stories."*
- *"Who is this place for on a wet Tuesday in February?"*
- *"Locals first, visitors too."*
- *"Many arms. One view."* (Octopus reference, use sparingly)

The branding should treat the Half Moon and Octopus as **named historical anchors within the building**, not as the primary identity. The main pack already does this well — Image 6 names the café "The Half Moon" and Image 2 shows a wooden sign with the same. This addendum extends the naming logic: an Octopus Terrace at roof level, an Octopus motif in stonework, and small heritage cues (old photographs, the bar plaque) embedded in the architecture.

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## IMAGE 21 — The Octopus Terrace at sunset
**Purpose:** Names the rooftop space after the Octopus restaurant. Rooftop sunset bistro programming. Slots between Image 7 (roof terrace at sunset) and Image 8 — or replaces Image 7 if a heritage-named version is preferred.

**Aspect ratio:** 16:9

**Primary prompt:**

> A small named area at one end of the rooftop terrace of a contemporary civic building on a Channel Islands seafront. A simple oak sign carved with "THE OCTOPUS TERRACE" hangs above an awning of weathered sail canvas. Beneath, a long timber bar with brass fittings serves drinks and small plates — locally-made beer in plain glasses, a few simple cocktails, a chalkboard listing tonight's tapas in plain handwriting at honest prices (small plates £4–8). About a dozen people sit on a mix of timber benches and cast-iron café chairs, all ages, casually dressed — a couple in their thirties sharing a board of mussels, three friends in their sixties with glasses of wine, a family with two children eating chips. Subtle octopus-tentacle motifs are carved into the bar front and the awning supports — playful but restrained, not cartoonish. The Castle Cornet view across the harbour is the dominant feature. Late summer evening, sun low, golden light, gulls overhead. The atmosphere is unstyled, generous, civic. 16:9 widescreen.

**Communicates:** the Octopus name as living heritage, rooftop bistro at affordable price points, terrace as public destination not exclusive bar.

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## IMAGE 22 — Heritage wall, ground-floor entrance
**Purpose:** A site-specific architectural detail honouring the Half Moon and Octopus. A small heritage gesture by the entrance. Slots near Image 4 (inhabited sea wall).

**Aspect ratio:** 4:5 (portrait)

**Primary prompt:**

> A close-up architectural detail at the ground-floor entrance to a contemporary civic building on a Channel Islands seafront. Set into a cream lime-rendered wall is a recessed oak-framed display about 1.5 metres tall — a small heritage wall. Inside the recess, behind glass, are arranged six items: a black-and-white photograph of the original Half Moon Hotel (a Victorian seafront hotel, slightly faded), a colour photograph of the Octopus restaurant from its later years, a hand-drawn site plan, a brass bar plaque reading "THE HALF MOON", a small ceramic octopus (a souvenir from the old restaurant), and a folded paper menu from the Octopus. A small engraved brass plate at the bottom reads simply: "The Half Moon Hotel · The Octopus Restaurant · The Island Exchange — 2027 onwards." A passer-by, an older woman in her seventies, has stopped to look at the photographs, her hand resting on the oak frame. Soft natural side-light from the open entrance. Photographic, dignified, not museum-like — more like a thoughtful family album in stone. 4:5 portrait.

**Communicates:** heritage continuity made architectural, the building as next chapter not replacement, public acknowledgement of memory.

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## IMAGE 23 — The takeaway window and ice cream hatch
**Purpose:** The affordable, no-friction street-level offer. Directly answers the public anxiety about premium-only hospitality.

**Aspect ratio:** 4:5 (portrait) or 3:4

**Primary prompt:**

> A simple wooden takeaway hatch built into the cream-rendered ground-floor wall of a contemporary civic building on a Channel Islands seafront, at the corner facing the promenade. The hatch is framed in oiled oak with brass fittings, painted deep navy around the opening. A hand-painted chalkboard above lists prices in plain lettering: "Coffee £2 · Ice cream £2 · Filled rolls £4 · Soup £4". A small octopus motif in chalk decorates the bottom corner. A teenager is being handed a single-scoop ice cream cone by a young server inside. Behind, a young family with two children waits in line, then an older man with a small dog. The hatch is shaded by a striped sail-canvas awning in cream and navy. To the side, a chalkboard A-frame on the pavement reads "Swimmers' coffee £2 · Dogs welcome." The pavement is granite, slightly worn. Soft Channel Islands midday light, light cloud cover. Documentary style, real people, no styling. 4:5 portrait.

**Communicates:** the affordable street-level promise made tangible, the building open to people not booking a meal, the swimmers / dog walkers / families served by the same hatch.

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## IMAGE 24 — Sea swimmers' early morning coffee
**Purpose:** Connects the Island Exchange to the bathing pools immediately south. The cluster identity.

**Aspect ratio:** 3:2 (landscape)

**Primary prompt:**

> Early morning at the seafront café terrace of a contemporary civic building on a Channel Islands harbour. Three sea swimmers in their forties and sixties have just come up from the bathing pools 200 metres south — wearing dryrobes in muted navy and oatmeal, woolly hats, hair wet, faces flushed and pink with cold. They are sitting at a weathered timber bench cradling mugs of coffee, a small basket of pastries between them, mid-laugh. Their swim bags are on the deck beside them. Behind them, the curved Victorian granite sea wall and the teal-grey water of the bay at low tide, with rocks visible. Castle Cornet across the water in the distance. Soft early light, low sun, slight mist on the water. A small chalkboard on the wall reads "Swimmers' coffee £2 · Towels for hire". Real bodies, real faces, unstyled. 3:2 landscape.

**Communicates:** the building as part of the bathing pools cluster, the seafront as a connected social ecosystem, the affordable swimmers' offer.

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## IMAGE 25 — Wet Tuesday in February
**Purpose:** Directly answers the feedback report's framing question: "Who is this place for on a wet Tuesday in February?" Slots near Image 14 (film club) and Image 18 (storm).

**Aspect ratio:** 3:2 or 16:9

**Primary prompt:**

> Interior view of the Half Moon café in a Channel Islands civic building on a stormy winter afternoon. Heavy rain streaks the tall oak-framed windows, beyond which white-capped waves break against the curved granite sea wall and the harbour beyond is grey and wind-blown. Inside, the café is warm and softly lit — the long Tide Table at the centre, a wood-burning stove glowing in the corner, brass pendant lights low. About fifteen people are scattered through the space: a woman in a cable-knit jumper reads a book at a small side table with a coffee, two older men chat over soup at the Tide Table, a young mum with a toddler shares chips at another, a teenager works on a laptop with headphones in a corner, a sea swimmer in a dryrobe warms her hands on a mug. Outside the window, a cyclist takes shelter under the café awning. The atmosphere is refuge-from-the-storm — cosy, lived-in, unselfconscious. The chalkboard menu lists soup £4, coffee £2, simple food. A dog sleeps under one of the tables. Slightly grainy documentary feel, no styling. 3:2 landscape.

**Communicates:** the building's purpose on the worst-weather day, the affordable warm refuge function, the genuine cross-generation use that proves the model works year-round.

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## IMAGE 26 — Outdoor cinema on the terrace
**Purpose:** Programming as place-making. The site as living civic platform across seasons.

**Aspect ratio:** 16:9

**Primary prompt:**

> A summer evening outdoor cinema scene on the rooftop terrace of a contemporary civic building on a Channel Islands seafront. About forty people of all ages are gathered on a mix of weathered timber deckchairs, picnic blankets on the deck, and benches, facing a large outdoor screen mounted at one end of the terrace, currently showing a film (vague, not legible). String lights are strung overhead between the atrium tower and the terrace edge planters. The harbour is visible beyond, the sky deep blue with the last orange of sunset on the western horizon. Children sit cross-legged at the front sharing popcorn, parents behind, older couples on chairs at the back, a few teenagers on a blanket. A few dogs lying quietly. Faces are softly lit by the screen and the warm string lights. A simple chalkboard near the bar reads "Outdoor Cinema — £5 / under 12s free". The atmosphere is community, unselfconscious, civic. 16:9 widescreen.

**Communicates:** programmed evening events as core to the model, all-ages affordability, the rooftop earning its keep across seasons.

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## IMAGE 27 — The makers' shelf
**Purpose:** Local artists and makers as the cultural-creative layer the Octopus feedback identified. Small but visible.

**Aspect ratio:** 4:5 (portrait)

**Primary prompt:**

> A small interior corner of a Channel Islands civic building, near the atrium gallery. A long oiled oak shelf along a cream lime-rendered wall displays handmade work by local Guernsey makers: hand-thrown pottery in sea-blue and sage glazes, framed local seascape prints, hand-bound notebooks, locally-poured candles, small ceramic pieces shaped like octopuses and shells. A small engraved brass plaque reads "MADE ON GUERNSEY — Local makers' shelf, refreshed monthly." Each item has a small handwritten card with the maker's name and the price. A woman in her thirties is browsing, holding a small ceramic vase, a child beside her looking at a wooden toy boat. Above the shelf, soft pendant lighting in woven rattan. The window beside the display shows the harbour outside. Warm, lived-in, not a polished gift shop — community noticeboard with real things on it. Soft natural side-light. Photographic, documentary. 4:5 portrait.

**Communicates:** the cultural-creative layer, local makers as part of the building's economic ecosystem, the building as platform for the island's creative community.

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## How to use these alongside the existing pack

**Priority order for generation** (if you can only do a few):

1. **Image 25** (Wet Tuesday) — answers the most-asked question in the feedback
2. **Image 22** (Heritage wall) — does the most heavy lifting on community goodwill
3. **Image 23** (Takeaway hatch) — directly counters the "another expensive thing" fear
4. **Image 21** (Octopus Terrace) — names the heritage in built form
5. **Image 24** (Sea swimmers) — establishes the cluster identity
6. **Image 26** (Outdoor cinema) — programming visible
7. **Image 27** (Makers' shelf) — creative layer visible

**For the Information Memorandum**, add Images 22 and 25 to the priority list — they are the strongest community-trust images.

**For the website**, add Image 25 as the "wet Tuesday" answer-image alongside Image 7 as the sunset answer-image. Together they show the building works in both registers.

**For the 2-page pitch**, the existing Image 1 hero remains the right choice. Image 22 (heritage wall) could appear as a small inset.

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## Minor edits to existing prompts (optional)

If you regenerate any of the original images, consider these small tweaks to strengthen Octopus-site continuity:

- **Image 1 (Hero exterior):** Add to prompt: *"a small octopus motif is subtly carved into the granite cornerstone at the base of the atrium tower, visible only on close inspection — a quiet nod to the site's history."*

- **Image 2 (Approach view):** The wooden A-frame already reads "THE HALF MOON" — consider adding *"with a small painted octopus icon below the lettering"* to layer the heritage.

- **Image 6 (Half Moon café interior):** Add *"a framed black-and-white photograph of the original Half Moon Hotel hangs above the counter, and a small ceramic octopus sits on a shelf behind the till"* to give the heritage a visible home.

- **Image 7 (Roof terrace):** If keeping the original, add *"a small carved oak sign at one end of the terrace reads 'THE OCTOPUS TERRACE' in restrained lettering"* — or replace with new Image 21.

These edits cost nothing and tie the building visibly into the site's emotional inheritance without overplaying it.

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*The Island Exchange — May 2026 — Octopus Site addendum to the main image pack.*
